Tuesday, October 19, 2021

D Index

 


Dhu'l-Himma

Dhu’l-Himma (Dhat al-Himma).  Name of the principal heroine of a romance epic of Arab chivalry.  The main subject is the Arab war against the Byzantines during the first three centuries of Islam. 


The full title of the romance epic is The Epic of the Commander Dhat al-Himma and Her Son, 'Abdelwahhab.  The first three short episodes of the epic go back in time, introducing the generations from the Banu Kilab tribe leading up to Fatima, the Dhu'l-Himma -- The Woman of Noble Purpose. In the fourth episode, Fatima is born.   It is explained that the wives of the brothers Zalim and Mazlum are both pregnant.  The brothers agree that he whose wife has a son will become the chief of the Banu Kilab clan, with authority over all the Arabs in the region but that if both have sons or daughters they would continue their shared leadership.

Zalim's wife gave birth to a son, Walid, but Mazlum's wife gave birth to a girl.  Mazlum was so disappointed the he gives the infant to a servingwoman to raise in secret and lets everyone think he had a son who died.  This sets the stage for what would be a source of constant conflict between the two brothers, and their off-spring.

Dhu’l-Himma (Dhat al-Himma).  Name of the principal heroine of a romance epic of Arab chivalry.  The main subject is the Arab war against the Byzantines during the first three centuries of Islam. 

The full title of the romance epic is The Epic of the Commander Dhat al-Himma and Her Son, 'Abdelwahhab.  The first three short episodes of the epic go back in time, introducing the generations from the Bani Kilab tribe leading up to Fatima, the Dhu'l-Himma -- The Woman of Noble Purpose. In the fourth episode, Fatima is born.   It is explained that the wives of the brothers Zalim and Mazlum are both pregnant.  The brothers agree that he whose wife has a son will become the chief of the Banu Kilab clan, with authority over all the Arabs in the region but that if both have sons or daughters they would continue their shared leadership.

Zalim's wife gave birth to a son, Walid, but Mazlum's wife gave birth to a girl.  Mazlum was so disappointed the he gave the infant to a servingwoman to raise in secret and let everyone think he had a son who died.  This set the stage for what would be a source of constant conflict between the two brothers, and their off-spring.

The girl baby was named Fatima and was raised away from her parents.  When another clan, the Banu Tayy, raided the Banu Kilab lands, the child was among those kidnapped and brought back to Banu Tayy territory.  Fatima was handed over to a troop leader to serve as a servant.  With the Banu Tayy, Fatima learned fighting skills by watching warriors at practice, and quickly picked up these and many other skills.  Eventually, Fatima became a Banu Tayy warrior, -- a role that would bring her into direct conflict with her father, her uncle and, most importantly, her cousin, Walid.

Ultimately, Fatima came back into the fold and rejoined the Banu Kilab.  She was now acknowledged by Mazlum as being his daughter.  She also caught the eye of her cousin, Walid.  Walid became infatuated with his warrior cousin Fatima and determined to not only marry her, but also to subjugate her.  Walid, and his father Zalim, had the more general goal of taking complete control and of sidelining Mazlum, thereby creating tension between the two families.

Fatima came to loathe the creepy Walid.  However, beyond that, she had no interest in marriage.  She is reputed to have said:

"I am a woman who does not seek intimacy with men.  It seems to me that God does not mean for me to be hidden away or confined.  As you see, I like to fight.  I am accustomed to swords and spears, not women's quarters.  Caliph of the Merciful, my sword is my home.  The dust provides my cosmetics.  My horse is my family.  What would I do with Walid or with any man?"

Despite Fatima's protestations, Walid repeatedly wooed her and tried to force her into marriage, and repeatedly Fatima repelled his advances. It got to the point that Walid even challenged Fatima to battle with the winner getting his or her way.  However, when Fatima easily defeated Walid in combat, Walid still persisted in attempting to woo her.  

Fatima was ultimately forced into marriage. although it was deemed to be a marriage in name only.  She continued to keep Walid at a distance.

Walid continued to pine for Fatima.  As her husband, he feels entitled to consummate the marriage.  Unable to even approach Fatima, he resorts to drugging her.  While Fatima is unconscious, Walid violates Fatima.

From this violation, Fatima became pregnant.  She had a child.  The child was named 'Abdelwahhab, and to the surprise of everyone, 'Abdelwahhab was black.  

The black skin of 'Abdelwahhab led Walid to believe that Fatima had dishonored him. Walid lamented by saying:

"Fatima's infidelity is a personal offense.  She renounced me for the preposterous reason that she prefers slaves!  Now she has a black bastard, and she claims it's mine!  The kid is as dark as night, and we're both fair.  How can this be?"

The paternity of the child was adjudicated.  In the adjudication it was noted that 'Abdelwahhab and Walid shared the same eyes, bone structure, and hands, even to the fingertips, and that, therefore 'Abdelwahhab was Walid's son.  However, Walid refused to accept the truth of the matter and continued to feel wronged, further escalating the conflict between him and his father on one side and Fatima and her father on the other.  

Eventually, Walid and Zalim went so far as to abandon their religion (Islam) and join the Rum -- the Greek Orthodox Christians living within the Byzantine Empire in Anatolia.  Zalim was willing to do and say whatever was necessary to appease the Christians:

"We have come to learn that yours is the true religion.  It is my duty to assist you in conquering the lands of Islam, destroying the Ka'ba and mosques, and capturing as many people possible."

Meanwhile, Fatima continued nobly and honorably -- impressing even the Byzantine emperor with her fighting prowess and cleverness when Constantinople was threatened by the King of Portugal. 

Over time, the legend of Fatima grew. 

Dhu'l-Himma or Sirat Dhu'l-Himma ("The Tale of Lady Dhu'l-Himma) became a popular epic of Arabic literature regarding the Arab-Byzantine war of the Umayyad and early Abbasid periods.

In its 1909 Cairo edition, the tale comprises 70 sections in seven volumes and 5,084 pages.  The subject matter of the epic draws from the long history of Arab-Byzantine wars under the Umayyad and early Abbasid caliphs, until the reign of al-Wathiq in the mid-9th century, with elements from later events, focusing on the exploits of two rival Arab tribes, the Banu Kilab, who furnished the main characters, and the Banu Sulaym. 

The tale begins with the story of the rivalry of the Banu Kilab and the Banu Sulaym during the early Umayyad period, when the Sulaym held command over both.  The tale continues with the assumption of command by the Kilab and the participation of the Kilabite al-Sahsah in the campaigns of the Umayyad prince Maslama ibn Abd al-Malik against the Eastern Romans, including the Second Arab Siege of Constantinople, his adventures in the desert and his death.  


Al-Sahsah's two sons, Zalim and Mazlum, quarrelled over their father's inheritance.  Mazlum's daughter, Fatima, the eponymous heroine of the epic, was abducted by the Banu Tayy, among whom she became a fierce warrior and was named al-Dalhama (Dhu'l-Himma).  This is possibly the feminine form of the name Dalham ("wolf"), but was more usually interpreted as a corruption of the honorific Dhat al-Himma  -- "woman of noble purpose", which also appears in the tale along with other variants.


At the time of the Abbasid Revolution (c. 750), the Sulaym under Abdallah ibn Marwan regained the leadership of the Arab tribes thanks to their support of the Abbasids.  Through the intervention of Fatima, the Kilab acquiesced to this change, and together with the Kilab, the Sulaym participated in the renewed border warfare with the Romans.  


The Kilab settled in the city of Malatya, while the Sulaym took over the fortress of Hisn al-Kawkab. Fatima's cousin, al-Harith (also known as Walid, the son of Zalim), managed to make her his wife thanks to a drug, and she bore a son, Abd al-Wahhab ('Abdelwahhab), who was born with black skin.  When Abd al-Wahhab grew up, he took over the leadership of the Kilab, and his and his mother's subsequent exploits in the wars against Byzantium were the main theme of the epic.  


Abd al-Wahhab was assisted by the cunning al-Battal, a Sulaymi who joined the Kilab, and who was opposed by the rest of the Sulaym, including the treacherous qadi (judge) Uqba, who had secretly converted to Christianity; the amir of Malatya, Amr ibn Abdallah (or Ubaydallah), who distrusted the Kilab even though he owed his life to Fatima.  At the same time, Fatima's husband, al-Harith (Walid), went over to the Byzantines with a band of Arabs and converted to Christianity.  In turn, the Muslims found allies among the Romans, such as the crypto-Muslim, Maris, the Byzantine emperor's chamberlain, and Yanis (John), the lord of a border fortress. 

The epic follows its protagonists in a series of campaigns and adventures during the reigns of Harun al-Rashid, al-Amin, al-Ma'mun and al-Mu'tasim.  To the end, the narrative is dominated by the Kilab-Sulaym rivalry, fuelled by Uqba's treacherous hounding of the Kilab and his spying for the Romans. The Kilab, including Fatima and 'Abdelwahhab, were captured several times by both the Romans and the Abbasid caliph due to Uqba's machinations, only to be set free after various adventures.  Al-Battal played a crucial counterpart to the traitor Uqba, with each one seeking to capture and eliminate the other. Al-Battal often saves the day through his exploits, which brought him as far as Western Europe and the Maghreb.  


Successive Eastern Roman rulers attacked and sacked Malatya, but were either driven off or defeated by the exploits of Fatima and 'Abdelwahhab. However, on the other hand, the Kilab frequently aided the Roman emperors in recovering their capital, Constantinople, from usurpers or from Western (Frankish) invaders. 


Ultimately, Uqba's treachery is unmasked, and in the last, and longest, section he is pursued bty Caliph al-Mu'tasim and the Kilabit heroes across several countries from Spain to Yemen, before being crucified before Constantinople.  On its return, the Mulim armhy is ambushed in a defile by the Romans, and only 400 men, including the Caliph, al-Battal, Fatima, and 'Abdelwahhab, manage to escape, but the amir Amr was killed. 


In retaliation, al-Mu'tasim's successor al-Wathiq launched a campaign against Constantinople, where he installed a Muslim governor and rebuilt the mosque first constructed by Maslama and al-Sahsah. The tale then describes the death of Fatima and 'Abdelwahhab, as well as the final days of al-Battal, who lived long enough to witness the resumption of Roman attacks later in the century.  


Al-Battal dies at Ancyra and his tomb remained hidden, until the Turks (in some versions the Mamelukes) arrived and re-discovered it.

Delhemma see Dhu'l-Himma
Dhat al-Himma see Dhu’l-Himma 


C Index

 Cachalia, Amina

Amina Cachalia (b. Amina Asvat; June 28, 1930 Vereeniging, South Africa – d. January 31, 2013, Johannesburg, South Africa) was a longtime friend and ally of Nelson Mandela. Her late husband was political activist Yusuf Cachalia.
Cachalia was born Amina Asvat, the ninth of eleven children in Vereeniging, South Africa, on June 28, 1930. Her parents were political activists Ebrahim and Fatima Asvat. She began campaigning against Apartheid and racial discrimination as a teenager. She became a women's rights activist, often focusing on economic issues, such as financial independence for women.
Amina and Yusuf Cachalia were friends of Nelson Mandela before his imprisonment at Robben Island in 1962. She became a staunch anti-apartheid activist. She spent fifteen years under house arrest throughout the 1960s and 1970s. She was the treasurer of the Federation of South African Women (Fedsaw), a leading supporter of the Federation of Transvaal Women, and a member of both the Transvaal Indian Youth Congress and Transvaal Indian Congress during the Apartheid era.
In 1995, Mandela asked Cachalia to marry him. At the time, he had been separated from his wife, Winnie Madikizela-Mandela. Cachalia turned down Mandela's proposal because she said that "I'm my own person and that I had just recently lost my husband whom I had enormous regard for". Mandela divorced Madikizela-Mandela a year later and married Graca Machel in 1998.
Cachalia was elected to the National Assembly of South Africa in the 1994 South African general election, the country's first with universal adult suffrage. In 2004, she was awarded the Order of Luthuli in Bronze for her contributions to gender and racial equality and democracy.
Cachalia died at Milpark Hospital in Parktown West, Johannesburg, January 31, 2013, aged 82. The cause of death was complications following an emergency operation due to a perforated ulcer.
Her funeral was held in her home in Parkview, Johannesburg, according to traditional Muslim customs. It was attended by South African President Jacob Zuma, former Presidents Thabo Mbeki and Kgalema Motlanthe, ANC Deputy Cyril Ramaphosa, former First Lady Graca Machel, former Finance Minister Trevor Manuel and fellow activisti Ahmed Kathrada, among others.
After her death, in March 2013, her autobiography When Hope and History Rhyme was published.

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Choucair, Saloua Raouda
Saloua Raouda Choucair (b. June 24, 1916, Beirut, Lebanon – d. January 26, 2017, Beirut, Lebanon) was a Lebanese painter and sculptor.  She is said to have been the first abstract artist in Lebanon although she sold nothing there until 1962.
Born in 1916 in Beirut, Choucair started painting in the studios of Lebanese painters Moustafa Farroukh (1935) and Omar Onsi (1942).  Her exhibition in 1947 at the Arab Cultural Gallery in Beirut is considered to have been the Arab world's first abstract painting  exhibition. In 1948 she left Lebanon and went to Paris, where she studied at the Ecole nationale superieure des Beaux Arts and attended Fernand Leger's studio. In 1950, she was one of the first Arab artists to participate in the Salon des Realites Nouvelles in Paris and had in 1951 a solo exhibition at Colette Allendy's gallery, which was better received in Paris than in Beirut.
In 1959, Choucair began to concentrate on sculpture, which became her main preoccupation in 1962. In 1963, she was awarded the National Council of Tourism Prize for the execution of a stone sculpture for a public site in Beirut. In 1974, the Lebanese Artists Association sponsored an honorary retrospective exhibition of her work at the National Council of Tourism in Beirut. In 1985, Choucair won an appreciation prize from the General Union of Arab Painters. In 1988, she was awarded a medal by the Lebanese government. A retrospective exhibition organized by Saleh Barakat was presented at the Beirut Exhibition Center in 2011.
Choucair's work has been considered as one of the best examples of the spirit of abstraction characteristic of Arabic visual art, completely disconnected from the observation of nature and inspired by Arabic geometric art.
Choucair received an honorary doctorate from the American University of Beirut in May of 2014.
Choucair turned 100 on June 24, 2016 and she died on January 26, 2017, Beirut, Lebanon.


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E Index

G Index

 Gawhar Shad 

Gawhar Shad (Persian meaning "joyful jewel" or "shining jewel"; alternative spelling  Gawharsad, Gowhar Shad, or Gohar Shad, b. before 1380, Samarkand, Timurid Empire -  d. July 19,1457, Herat, Timurid Empire) was the chief consort of Shah Rukh, the emperor of the Timurid Empire. 

She was the daughter of Giāth ud-Din Tarkhān, an important and influential noble during Timur's reign. According to family traditions, the title Tarkhan was given to the family by Genghis Khan personally.

Gawhar Shad was married to Shah Rukh probably in 1388, certainly before 1394 when their son, Ulugh Beg was born. It was a successful marriage, according to the ballads of Herat which sing of Shah Rukh's love for her. However, little is known of their first forty years together, except what concerns her buildings.  Gawhar Shad is credited with building over 300 structures in Herat.

Along with her brothers who were administrators at the Timurid court in Herat, Gawhar Shad played a very important role in the early Timurid history. In 1405, she moved the Timurid capital from Samarkand to Herat.

She was instrumental in the construction of Herat's Mousallah Complex. 

Under her patronage, the Persian language and Persian culture were elevated to a main element of the Timurid dynasty. She and her husband led a cultural renaissance by their lavish patronage of the arts, attracting to their court artists, architects and philosophers and poets acknowledged today among the world's most illustrious, including the poet Jami. Many exquisite examples of Timurid architecture remain in Herat today.

After the death of her husband in 1447, Gawhar Shad maneuvered her favorite grandson to the throne. For ten years she became the de facto ruler of an empire stretching from the Tigris to the borders of China. When she was well past 80, she was executed on July 19, 1457 on the order of Sultan Abu Sa'id. 

According to legend, Gawhar Shad once inspected a mosque and a religious school (madrasah) in Herat accompanied by two hundred female attendants, after it had been cleared of its students, all of whom were male. One youth remained, having fallen asleep in his cell, and was discovered by an attendant and seduced. When Gawhar Shad found out, she ordered that all two hundred of her attendants be married to the students.

Gawhar Shad's tomb is located next to the Herat madrasah that she had built, of which the minaret remains until this day.

A women's university in Kabul that opened in 2003 bears the name of Gawhar Shad 

Gawhar Shad had a mosque (Masjid-e Goharshad) built in 1418 in Mashad, Khorasan.  Her sister, Gowhar-Tāj also has a tomb in Khorasan.


Gawharsad see Gawhar Shad

Gohar Shad see Gawhar Shad

Gowhar Shad see Gawhar Shad

Joyful Jewel see Gawhar Shad

Shining Jewel see Gawhar Shad




F Index

H Index

I Index